CLAIRE CHAMBLESS
FRIEZE PROJECTS
Santa Monica Airport
February 20-23 2025
Carlye Packer is pleased to present the inclusion of Claire Chambless in FRIEZE PROJECTS: INSIDE OUT, curated by Art Production Fund.
For Frieze Projects, Claire Chambless has created an interactive Sculpture Hunt for Frieze Projects, titled Player, Non-Player, with golden eggs containing miniature sculptures hidden throughout the fair and its surrounding areas, offering visitors the chance to encounter and collect art in unexpected ways. Chambless’ work challenges traditional modes of art acquisition, fostering communal exploration and using play to spark conversations about feminist, communal, and environmental themes, rather than reinforcing competition or scarcity. Explore the fairgrounds, uncover an egg, and make a new art acquisition (free of charge).
Player, Non-Player questions the salvific nature of art acquisition by drawing attention to the symbolic nature of purchasing. The relational artwork sets up a framework where through play participants engage alternative ways of being in connection with others, material objects and the natural world.
Player, Non-Player follows a foraging/gift giving model rather than monetary exchange. Everyone has an equal chance to find and acquire a piece. If they do, they will get a handmade talisman. The objects inside register as symbols of physical and psychic security; a sacral vertebrae for the body, a mini ruby encrusted pewter house makes a home out of materials of tangible monetary value, and an oyster shell forms one half of the home for a creature in the sea. The natural world itself becomes home.
Finders keepers - any eggs you discover are yours to take.
Claire Chambless (b.1989 Houston, TX) is a Los Angeles based interdisciplinary artist working primarily in sculpture. Her artworks reconfigure or remix semiotic systems at multiple strata simultaneously using a limited visual language of culturally-loaded symbols: pearls, bones, Easter eggs, black latex, etc. At once deeply personal and universally resonant, her materially intricate works are both parafictional allegories and theatrical ’situations’ or ‘sets’ that invite the viewer to participate in rethinking various aspects of contemporary culture. Her most recent research centers on the ways haunting and cultural melancholia are sublimated into ecstatic experiences, ranging from the religious to the psychedelic.
Chambless received her BA at Davidson College and her MFA at the California Institute of the Arts. Recent exhibitions include: Davidson College, Charlotte, NC; Fellows of Contemporary Art (FOCA), Los Angeles, CA; Sargents' Daughters, Los Angeles, CA; MAK Center for Art & Architecture Mackey Apartments, Los Angeles, CA; Oolong Gallery, San Diego, CA; Office Space Gallery, Los Angeles, CA; Wonzimer, Los Angeles, CA; The End, Atlanta, GA; Flux Factory, New York, NY; La MaMa Gallery, New York, NY; the New Wight Biennial at UCLA, Los Angeles, CA; and the Museum of Contemporary Art of Georgia, Atlanta, GA. She has been supported by the City of Atlanta, Fulton County Arts and Culture Council, Walthall Fellowship, the James G. Pepper Scholarship, and the Lillian Disney Scholarship, among others. Her work has been featured in Artforum online, Artillery, Tzvetnik, LA Weekly, Burnaway and ArtsATL, among others. Her work is included in the collections of the Hammer Museum, Los Angeles; the Museum of Contemporary Art, Los Angeles; LACMA, Los Angeles, CA; and the Bunker, Palm Beach.